English ReviewsFilmiTips

Review: Woodshock (2017)

Directed by: Kate Mulleavy, Laura Mulleavy | 100 minutes | drama, thriller | Actors: Kirsten Dunst, Joe Cole, Pilou Asbæk, Steph DuVall, Jack Kilmer, Susan Traylor, Joel McCoy, Michael Pavlicek, Joseph Wray Barney, Henry Pokorski, Kyler Jude Hanson

Theresa works in a medicinal weed store in a quiet town in California. She lives in a large house in the middle of the woods, together with her boyfriend and her sick mother. One of the products the weed store has under the counter is a mixture of weed and deadly poison. Perfect for euthanasia, you would say. So when Theresa’s mother doesn’t want to live anymore, Theresa hands her the deadly joint. And then…

And then the most vacant 90 minutes of your life begin. What happens next is that Theresa wanders around her house, putting on gloves, dreaming about trees, turning on a tap, dreaming about trees, smoking a joint, staring ahead, staring ahead, staring ahead, staring ahead , dreams of trees, stares ahead, sleeps, visits friends, goes back home, dreams of trees, takes an action that makes no sense at all and then probably dreams of trees again, but we are not sure because then thank god we will be delivered from our suffering by the credits.

“Woodshock” is a product of Kate and Laura Mulleavy, two sisters who made a name for themselves in the fashion world with their successful brand Rodarte. A switch from fashion to film can work out well (see Tom Ford), but in the case of the Mulleavys, it’s a clear case of hubris. The sisters also had to write the screenplay if necessary, and everything indicates that they did so while enjoying medicinal or non-medicated stimulants.

A shame, because the beautiful visuals, the presence of Kirsten Dunst and the wonderful music (Wire, Feelies, Television) could have led to a good result with a better scenario. If only the sisters had used a novel as the source for their film, just like Tom Ford. Then they must have produced something other than this boring try-out. A try that almost makes you long for such a deadly joint.

Action Drama Film Henry Pokorski IMDBMissing Jack Kilmer Joe Cole Joel McCoy Joseph Wray Barney Kate Mulleavy Kirsten Dunst Kyler Jude Hanson Laura Mulleavy Michael Pavlicek Music Pilou Asbæk Steph DuVall Susan Traylor Thriller

Prev Post

Review: Directed by: Manuel von Stürler | 90 minutes | documentary In order to fully achieve their role, some actors apply the so-called “method acting” technique. They look for emotions and experiences from their own lives and use them to put themselves in the shoes of their character. In preparation for his documentary about the lives of two herders, the Franco-Swiss director Manuel Von Stürler did what you could call “method directing”. Von Stürler, who became fascinated with the shepherds during a trip, followed two of them for four years and participated in a complete transhumance (moving cattle with the changing of the seasons). In “Winter Nomads,” the director follows two sympathetic shepherds, the dyed-in-the-wool Pascal, who has been practicing the trade for thirty-three years in winter, and Carole, a young woman who has a few things to learn. Accompanied by three donkeys, three sheepdogs, a puppy and no less than eight hundred (!) Sheep, they travel for four months through all kinds of weather from Switzerland to France, with the aim of bringing their sheep – intended for consumption – as fed as possible across the border. . To achieve this, Pascal and Carole travel six hundred kilometers on foot. In the ninety minutes that the documentary lasts, we see the landscape slowly but surely becoming greener and the herd of sheep smaller. The sight of the Nomadic duo is one that takes you straight back in time a few hundred (or say a thousand!) Years. Pascal and Carole wear traditional clothes, make tea on a campfire, sleep under a canvas cloth and cover themselves with animal skin. Only the single car that has to give way to the herd betrays that it really is the 21st century that we are looking at (and let’s face it, Pascal’s cell phone, which the director probably only deliberately showed in the picture towards the end of the ninety minutes). “Winter Nomads” is a romanticized look at a world from a bygone era. The consequences of the ever-increasing urbanization on the shepherding profession become clear in the documentary in a simple manner. One year later, a former grassland suddenly became a residential area and the two have to adjust their route. The award-winning documentary has been cleverly edited. Von Stürler is adept at the art of omission. We learn more about the two, especially during the meetings with curious hikers and the reunion with old acquaintances who pass the Pascal and Carole on their annual route. The stylized cinematography of “Winter Nomads” is an interesting contrast to the no-nonsense attitude of its protagonists and is a visual piece of craftsmanship: it is clear that Von Stürler once started as a photographer. Carole’s red cap stands out beautifully against the snowy landscape, as does the huge flock of sheep. As a surprised passer-by remarks: “I find this contrast of light and shade pretty. In this white area, which is like an A4 sheet. With the dog in the foreground. ” “Winter Nomads” is a sober documentary with beautiful images and a nostalgic approach, which, especially when spoken, sometimes feels like a feature film.

Next Post

Review: Long Day’s Journey into Night – Di qiu zui hou de ye wan (2018)

Comments are closed.