Gaja Gamini 2000 – Dramatic Movie | Madhuri Dixit, Shabana Azmi, Naseeruddin Shah.

Director: M.F. Hussain
Producer: Rakesh Nath
Genre: Drama
Music: Bhupen Hazarika, Anuradha Pal
Year: 2000
Cast: Madhuri Dixit, Shabana Azmi, Naseeruddin Shah

Synopsis: Gaja Gamini, the embodiment of the Indian spirit, inspires artists of all kinds, interacts with and influences the West, and exists through the ages. Made in a mold very similar to that of V. Shantaram’s films (Jhanak Jhanak Payal Baaje, Jal Bin Machchli Nritya Bin Bijli), Gaja Gamini is a timeless film that explores the woman. The central figure of the film is represented by a mysterious figure called “Gaja Gamini” (Madhuri Dixit), who inspires, arouses, and confuses the common man. “Gaja Gamini” is the inspiration behind Leonardo Da Vinci’s (Naseeruddin Shah) ?Mona Lisa?, Kalidas? poem “Shakuntala”, and a photojournalist named Shahrukh’s (Shah Rukh Khan) photographs. The mysterious “Gaja Gamini” appears as four characters, one of them being Sangeeta, a blind girl from Banaras at the beginning of time, who inspires village women (Farida Jalal, Shilpa Shirodkar, and Shabana Aazmi) to revolt against a male-dominated system and carve a niche for women forever. Another character is Shakuntala, who is the subject of Kalidas? poem of the same name. Shakuntala incites jealousy in the women and love in the men around her, charming humans and animals alike in the forests of Kerala. “Gaja Gamini” is also Mona Lisa during the Renaissance, the object of painter Leonardo Da Vinci’s obsession. Finally, Monika, the most confusing sector of the film, is supposed to represent the woman of the New Millennium. Kamdev, the God of Love (Inder Kumar, in a fine breakthrough performance as a hero), walks the earth throughout history, attempting to win the love of “Gaja Gamini”, with whom he is in love.Thrown in to this mix is a large black wall, separating two different time periods, and confrontations between Science (Ashish Vidyarthi) and Art (Mohan Agashe) at different points in history, showing that the world itself can change, but its original ideas will always be permanent. For example, a play by Shakespeare can be written in the 15th Century and performed by actors of that time. The same play will still be performed in the 21st Century, but with different actors. The confrontations between Art and Science also bring about the idea that while Science is firmly set on believing that which can only be proved, the basis for Art is that which can be proved, and an intuitive sense that can be felt. Science uses the brain, while Art uses the brain and the heart. Another interesting facet of the film is a “gathri”, a small bundle which a woman carries upon her head, like a burden, with which she must walk forever.