Visit (2018)

Directed by: Stijn Bouma | 13 minutes | short film, drama | Actors: Agaath Meulenbroek, Abel Nienhuis

Loss is not always easy to accept. Some people, mostly elderly people, simply refuse to understand that someone is gone. For example, out of fear of the pain, the emptiness and the loneliness. The loneliness that Thea (Ageeth Meulenbroek) feels in the NTR Kort! film ‘Visite’ (2018) by Stijn Bouma is painfully palpable in the final minutes. Bouma is a young Dutch filmmaker who is steadily making progress. During his education at the Sarajevo Film Academy – he attended the film.factory program set up by the Hungarian director Béla Tarr – he was taught by such greats as Apichatpong Weerasethakul (‘Cemetery of Splendor’, 2015), Atom Egoyan (‘The Sweet Hereafter’, 1997) and Carlos Reygadas (‘Stellet Light’, 2007). Bouma’s debut film ‘Lejla’ (2017) was selected for the Cinéfondation section – a breeding ground for young directorial talent – ​​at the Cannes Film Festival. A beautiful accolade that raises expectations around ‘Visite’. Fortunately, Bouma fully lives up to them with this film, shot in one take.

A pan of pea soup is simmering on the fire, the cat is tripping across the table. And whether it is homely and cozy in Thea’s far too large and remote house. She was recently widowed but claims to high and low that she’s all right. Her son (Abel Nienhuis) has his doubts and braves an autumn storm to check how his mother is doing. He only comes for a cup of coffee, he emphasizes. ‘Would you like to join us for a bite to eat? There’s nothing like your mother’s fresh pea soup,” Thea tries, but her son doesn’t plan to stay very long. Would he be busy? Cautiously, he tries to suggest that she should go to a care home, or at least request home care. But Thea doesn’t worry about it, she can take care of herself just fine. She doesn’t need more care, she says. The question is whether that is really the case. Because as soon as her son closes the door behind him, we see how the flag actually hangs.

‘Visite’ is one shot of about ten minutes, in which the focus is solely on Thea. Her son is there, we hear him and see him for a while, but it is clear that it is not about him. It is immediately clear that Thea is more vulnerable than she would have us believe. She tries so hard to make it warm and homey, pretending nothing happened, but in her eyes we read sadness and loneliness. Desperately, she tries to keep her son with her, but he has to move on. She can’t go any further, at least that’s how it feels to her. She is no longer complete. With a lot of tenderness and sensitivity, Bouma exposes with his short film how harrowing loneliness can be. For like Thea, there are thousands who do not know what to do with their loss; it could be our own mother, aunt or grandmother. These are ten tender minutes that come in hard!